Red Rock’s Final Cut Pro edit system is packed with powerful film and video editing features that include the ability to mix HD, SD, DV and film formats in real time in a single timeline; mixed-format, real-time multi-camera editing; advanced color correction; and much more.

Our hybrid premiere editing suite combines 601 digital studio switching and editing with Avid non-linear (computer) editing and effects to gain the most control over any video project.

Suite Featuring: Xtreme DVE, Grass-Valley 601 digital switcher, TypeDeko character generator, Mackie audio mixing and great video monitoring for HD and SD applications.

We are constantly researching and making smart purchases to update our equipment and at the same time keep costs down for our customers. Specialty gear that is requested for that certain “look” can be rented through our network of vendors.

At Red Rock, we rely primarily on nonlinear editing, which provides the best environment for making editorial changes. Nonlinear editing works similarly to word processing in that shots or segments can be inserted, deleted or interchanged at any point throughout the editing process. It’s fast and effective. With nonlinear editing, it’s also an easy matter to incorporate segments from your current video into future productions.

We believe that allowing ample time for the editing process is just as important as acquiring the best possible footage, so we allocate a large amount of time in editing your project. This insures that no detail is overlooked, and the final project matches the original concept we established with you in the initial client meeting. Typically, we allocate about 2 days of post-production editing time for every day of production (shooting). Ron oversees this process and is personally in charge of your final edit, so you can have confidence that your final product will be cut and timed with the instincts of a talented and seasoned professional.